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・ National Museum of Archaeology (Poland)
・ National Museum of Archaeology, Malta
・ National Museum of Art
・ National Museum of Art of Romania
・ National Museum of Art, Architecture and Design
・ National Museum of Art, Haiti
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・ National Museum of Australia
・ National Museum of Australian Pottery
・ National Museum of Beirut
・ National Museum of Bhutan
・ National Museum of Bosnia and Herzegovina
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National Museum of Ceramic Art
・ National Museum of China
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・ National Museum of Colombo
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・ National Museum of Contemporary Art (Romania)
・ National Museum of Contemporary Art (South Korea)
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National Museum of Ceramic Art : ウィキペディア英語版
National Museum of Ceramic Art

The National Museum of Ceramic Art (NMCA) was a non-profit arts institution active in downtown Baltimore, Maryland, during the 1990s.
Located at 250 West Pratt Street near Baltimore's Inner Harbor, the art museum displayed a variety of earthenware, stoneware, porcelain and glass. Although most of its exhibits were American and contemporary (with an emphasis sometimes on the Atlantic coast), it also displayed ancient and medieval ceramic arts from Europe, Asia, Africa and the Americas. Occasionally, the museum sponsored judged competitions of artists from around the American East.〔NMCA newsletters (1989-93).〕
Opening in 1989, the museum was active until the construction of the nearby Baltimore Orioles baseball stadium at Camden Yards in late 1993. A decline in public revenue from the city and state was equally to blame for its closure.
One of the ceramic museum's early exhibits was "Ceramic Sculptures" (September 1990).〔John Dorsey (1990), September 28, ''Baltimore Sun''.〕 A display of glass objects was provided in "Personal Vision / Diverse Images: An Exhibition of Recent Sculptural Glass" (February 1991). Among the artists represented was glass sculpturist Dale Chihuly.〔John Dorsey (1991), February 26, ''Baltimore Sun''.〕 A "Regional Juried Exhibition" was held in August 1991. The jurors included professor William Daley and curator Frederick Brandt.〔John Dorsey (1991), August 4, ''Baltimore Sun''.〕 A subsequent exhibition was "Maryland Collects" (November 1991) which featured clay artists such as Gertrud and Otto Natzler.〔John Dorsey (1991), November 5, ''Baltimore Sun''.〕
The exhibit "Three in Clay" (March 1992) included works by potter Paula Winokur.〔John Dorsey (1992), March 24, ''Baltimore Sun''.〕 In May 1992 the pottery museum displayed "18th and 19th Century Utilitarian Porelain and Pottery," one of its more geographically diverse exhibitions.〔John Dorsey (1992), May 19 & 20, ''Baltimore Sun''.〕 Artists of Norway were featured in "Contemporary Norwegian Ceramics" (October 1992).〔John Dorsey (1992), October 16, ''Baltimore Sun''.〕
In January 1993 various daylong workshops were provided to students of varying ages.〔John Dorsey (1993), January 27, ''Baltimore Sun''.〕 A show of wildly artistic teapots was highlighted as "The Tea Party" in February 1993.〔John Dorsey (1993), February 17, ''Baltimore Sun''.〕 One of the museum's final exhibits was "Jack Lenor Larsen: Designer / Collector -- A Retrospective" (June 1993), an exhibit featuring both terracotta and textiles.〔John Dorsey (1993), June 10, ''Baltimore Sun''.〕
The director of this institution, sometimes later called the National Museum of Ceramic Art and Glass, was Shirley B. Brown, while the full-time administrator was Dr. Ralph W. Bastedo, and the president of the board of trustees was J. Richard N. Tyler.〔NMCA newsletters (1989-93).〕
==References==



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